
Viva Verdi!
In celebrating our roots, we claim the tremendous legacy of Rosa Ponselle, so integral to opera in Baltimore. In the very shadow of her home, Villa Pace, we will present music from Verdi operas associated with Miss Ponselle. These glorious selections, sung by the operatic stars of today and tomorrow, bring full circle the magnificent and beloved tradition of opera in our community. Please join us for a grand celebration of Giuseppe Verdi and Rosa Ponselle!
PROGRAM
Il trovatore
Final Act
Libretto by Salvadore Cammarano
INTERMISSION
Aïda
Act 3 - The Nile Scene
Libretto by Antonio Ghislanzoni
La forza del destino
Final Scene
Libretto by Francesco Maria Piave
Sung in Italian with English surtitles
There will be one 20-minute intermission
June 9, 2024 | 3:00pm
Inscape Theatre at Stevenson University1525 Greenspring Valley RoadStevenson, MD 21153*This event is not affiliated with Stevenson University
SYNOPSES
Il trovatore
Act IV
Manrico, the troubadour and rival to the Count Di Luna for the love of Leonora, is imprisoned in the palace of the Count. Leonora is in a room of the palace hoping to find a means of saving Manrico. She hears the monks singing the “Miserere” heralding death and hears Manrico’s voice as well, bidding her farewell. Di Luna appears, saying Manrico and Azucena, Manrico’s presumed mother, must die at dawn. Leonora begs for mercy, offering herself in exchange for her lover's life. The Count forces her to swear that she belongs to him. Rejoicing that she has saved Manrico's life, she takes a slow-acting poison.
In a prison cell, Azucena, riddled with guilt over her past, is almost at the point of complete madness. She ponders her fate, and is comforted by the troubadour. Leonora enters and tells Manrico to flee, although she must stay. He assumes she has promised herself in exchange for his freedom, and denounces her. She admits taking poison, and as it takes effect, bids him farewell. The Count arrives and realizes that Leonora has deceived him; furious, he orders Manrico beheaded and he is dragged off by guards. Azucena awakens and asks for her son. He is about to die, Di Luna tells her. Too late, Azucena tries to stop the Count. She tells him that he has killed his own brother. As Di Luna realizes his mistake, Azucena cries that her mother is avenged.
Aïda
Act III - The Nile Scene
On the banks of the Nile, Aïda, the Ethiopian princess enslaved by the Egyptians, recalls her beautiful and fertile native land that she will never see again. Radames, the Egyptian warrior in love with Aïda, has asked her to meet him; she fears this will be their farewell. Her father, the Ethiopian King Amonasro, appears and suggests that Aïda should persuade Radames to reveal the battle plans that could spell defeat for the Egyptians, reminding her of her duty to him and to her country. Amonasro hides when Radames appears, declaring his love for Aïda. She proposes to Radames that they run away, enticingly describing the beauty of her homeland and their life together, but to do this she will need to know how they can cross the undefended border. He reveals the location and Amonasro comes out of hiding, revealing himself as the King of Ethiopia and the Egyptians’ mortal enemy. Radames realizes the enormity of what he has done. Furious at Aïda for her betrayal, he refuses to leave with them and surrenders himself as a traitor.
La forza del destino
Act IV - Final Scene
Leonora, after having lived a life seemingly destined to be full of tragedy and sorrow, has disguised herself as a monk in a monastery, ensuring a completely solitary life of reflection and prayer. She longs for the peaceful release of death, recollecting her love for Alvaro and begging God for peace. A duel between two men is heard in the vicinity of Leonora's isolation. Upon hearing them, she takes refuge. Carlo, Leonora's brother, is mortally wounded by Alvaro, Leonora's former fiancé, who invades what he thinks is a hermit's sanctuary to request the last rites for the man who is dying nearby. Leonora and Alvaro recognize each other. Alvaro tells her of the tragic events that occurred, and she rushes to embrace her dying brother. However, he stabs her and she returns mortally wounded. The Father Superior, who has come in answer to Leonora's alarm, orders Alvaro to stop cursing fate and to humble himself before God. The dying Leonora joins him in this plea, and Alvaro declaims that he is now redeemed.
CAST
Rochelle Bard
Leonora
(Trovatore & Forza)
Helena Brown
Aïda
Kate Jackman
Azucena
Brian Major
Amonasro
Tim Mix
Conte di Luna
Padre Guardiano
Dane Suarez
Manrico
Radames
Alvaro
James Harp
Director
ORCHESTRA
Violin 1
Violin 2
Viola
Cello
Flute
Clarinet
Piano
José Cueto
Celeste Blase
Christof Huebner
Kirsten Walsh
Sara Nichols
David Drosinos
James Harp
CHORUS
Jason Buckwalter
Vijay Ghosh
Henry Hubbard (Guard)
Peter Juengst (Guard)
Kevin Paton-Cole
Kevin Wetzel
James Harp
Aaron Sherber
Kimberly Christie
Chuck Atwell
Jason Buckwalter
April Forrer
Lisa Lyons
Alyssa Stanton
PRODUCTION STAFF
Director
Stage Manager
Assistant Stage Manager
Set/Lighting Designer
Production Coordinator
Costumer
Wigs & Make Up
Supertitle Operator
ACKNOWLEDGEMENTS
Costumes provided by Sarasota Opera Association, Inc.
Engagement of this event's opera performers is through the generosity of the Loretta Lee Ver Valen Endowment Fund for Leading Operatic Artists
This production is supported in part by
the Maryland State Arts Council (msac.org)
