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Carmen

The story of a hot-blooded diva with more than a slight mean streak.  A chief of police who's even meaner than she is.  A political prisoner.  And a painter who is to die for.

An Opera in Four Acts
Music by Georges Bizet
Libretto by Henri Meilhac & Ludovic Halevy
based on the novel by Propser Mérimée

Sung in Italian with English surtitles


There will be one 20-minute intermissions 

April 25 & 26, 2025 | 7:00pm


Church of the Redeemer
5603 North Charles Street
Baltimore, MD 21210

 

SYNOPSIS

Act I - Mid-day, a square in Seville.  A young woman, Micaëla, enters looking for a corporal, Don José.  The soldiers tell her he will be coming shortly.  She excuses herself and runs off.  Soon, Don José arrives with the guard and is told a young woman was searching for him.  Now Zuniga, the lieutenant, understands why Don José is not interested in the women who work in the factory.  A bell sounds and the cigarette girls come out to chat with each other.  Carmen enters last.  She teases and taunts the men with her philosophy of love, turning away from all of them.  She gives a rose to the man who has caught her eye, Don José.  As the girls run off, Micaëla enters looking for Don José.  She gives him a letter from his mother and tells him that his mother forgives him.  He promises her that he will return home, and gives her a kiss to deliver to his mother.  As she leaves, a scream is heard and the women run from the factory into the square.  Carmen is brought out and half of the women accuse her of stabbing Manuelita while the others accuse Manuelita of starting the fight.  Carmen refues to answer Zuniga's questions, so he orders her arrest.  She is left under the watch of Don José.  She seduces him into helping her escape and tells him to join her later at Lillas Pastia's tavern.  

Act II - The Tavern of Lillas Pastia.  Carmen entices everyone with the joys of a smuggler's life.  Zuniga tells Carmen that Don José has been released.  A crowd outside announces the arrival of Escamillo, the victorious toreador.  Escamillo describes the excitement of the bullfight and he tells Carmen he will see her soon and leaves with his adoring fans.  The smugglers try to persuade Carmen to join in their next exploit, but she prefers to wait for Don José.  They chastise her for her folly, but are surprised when he approaches.  As they leave, they tell her to persuade him to join their venture.  Don José is again seduced by Carmen, but is pulled away by the sound of his regiment's trumpet.  Carmen mocks him for his weakness, but he pleads with her saying that the flower she tossed him he had kept in prison to strengthen his hope of seeing her again.  Carmen argues that if he truly loves her, he would leave his post and join her and the smugglers.  Zuniga returns for Carmen.  He ridicules José and commands him to return to the guard.  Enraged, Don José challenges him to fight while Carmen screams for help.  After Zuniga is dealt with, Don José has no choice but to join the smugglers.

Act III - In the Mountains.  The smugglers have reached a mountain pass where they must wait for a clear passage before proceeding.  Although Don José has given up everything for Carmen, she has tired of him.  The women pass along but all she sees is death.  Dancaïro returns with news that guards are blocking the road.  The women leave to deal with the guards and Don José is left as lookout.  Micaëla arrives, looking for Don José.  She hides when she hears a shot.  Escamillo has come looking for Carmen and he is stopped by Don José.  Jealousy rages in Don José and the two men draw weapons.  Don José gains the upper hand, but is stopped by Carmen and the others.  Escamillo is grateful and invites them to his next bullfight.  Micaëla is discovered and pleads with Don José to return home.  Carmen cynically tells him to return home like a good boy.  Don José refuses but Micaëla tells him that his mother is dying.  Defeated, he goes with her.

Act IV - Outside the Bullring.  Everyone awaits the triumphal return of Escamillo.  When the procession is over, everyone enters the ring preparing for the battle.  Only Don José remains to confront Carmen with one final plea.  When she refuses him again, his anger engulfs him.  He vows that if he cannot have her, no man will.  He kills her as the crowd cheers for the toreador.  

 

CAST

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Gustavo Feulien
Escamillo

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Samual Keeler
Remendado

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Victor Starsky
Don José

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Nina Evelyn
Frasquita

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Bill Gohl
Dancairo/Morales

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Colleen Daly
Micaëla

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Steven White
Conductor

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James Harp
Director

ORCHESTRA

Violin 1

Violin 2

Viola

Cello

Flute

Clarinet

Bassoon

Trumpet

French Horn

Trombone

Timpani/Percussion 1

Piano

Organ

José Cueto

Celeste Blase

Christof Huebner

Kirsten Walsh

Sarah Nichols

Cheryl Hill

Terry Ewell

Tim White

Michael Hall

James Martin

Barry Dove

James Harp

Bert Landman

CHORUS

Mercy Calhoun-Dion

William Clark

Hakeem Henderson

Henry Hubbard

Peter Juengst

Will Kuethe

Isabel Marcus

Amanda Staub

Hannah Wardell

Emma Webster

James Harp

Kimberly Christie

Aaron Sherber

Tyler Bristowl

Jason Buckwalter

April Forrer

Christopher Fotis

PRODUCTION STAFF

Director

Assistant Director

Stage Manager

Lighting Designer

Production Coordinator

Costumer

Wigs & Make Up

ACKNOWLEDGEMENTS

The Church of the Redeemer

St. Mark's Lutheran Church

Costumes courtesy of Tri-Cities Opera Company, Inc.

Engagement of this event's opera performers is through the generosity of the Loretta Lee Ver Valen Endowment Fund for Leading Operatic Artists

Support for this production also comes

from these generous organizations:

The Baltimore Opera Company Foundation Fund

The S. James Campbell Fund

The Maryland State Arts Council

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